About

Maybe it’s my perception of control, or lack thereof, that compels me to draw upon unusual weather and extreme natural phenomena as my focus.

Photo credit  to Anthony Rencz

Artist Statement

As an artist, I am deeply inspired by the intricate beauty of the natural world and the profound mysteries of the human spirit. Through ink, charcoal and pastel on paper, I explore the intersection of these realms. My creative process is a journey of discovery, a fusion of intuition and craftsmanship. I am drawn to the tactile qualities of various materials. My compass presses into the paper and creates the sacred geometry, text and cities that encourage the flow of ink into those tiny impressions. This is the underpainting that guides the drawing and smearing of dry pigments that create the outer imagery. Each layer represents a moment in time, an inspired thought, a fragment of emotion or memory delivered from a higher plane. Creating is a lesson in allowing myself to be a transcriber of energy.

Through my art, I invite others to discover deeper truths hidden within the text and imagery of each piece. Ultimately, my goal is to create a space for reflection and connection, where the boundaries between the self and the world dissolve. I believe art is a service to humanity; to help us reconnect with our higher selves.

Bio

Judith Maureen Brandon was born in Indianapolis, IN in 1963.

She attended the Cleveland Institute of Art where she earned a BFA in enameling and drawing. She has been awarded numerous Best of Shows across the country for her large dynamic drawings. She’s also been awarded Ohio Arts Council Grants for her continued excellence in craftsmanship and elevation of drawing techniques. She was included three times in the highly competitive National Weather Biennale international juried exhibition and her work has been featured in museums and galleries alike.

“Upon meeting Judith Brandon you wouldn’t imagine her to be the artist behind the large dynamic works on paper she creates. Standing at just five feet she has to be extremely inventive at how she manipulates the materials in her studio. Her large physical gestures and tiny precise lines create a unique rich experience for the viewer”
-Cleveland Free Times.